Skipping stones across the sea is parallel to waiting for the bus - it gets tiresome. - Tanopper, Fruitmeyer. Somewhere in the Mediterranean, 196-?
The theatre is truly a lonely place – François ‘Grizzly’ Gauthier – 1947 (Paris, France)

It is here, in the fogginess between deep slumber and wakefulness that the ambiguity lies. Becoming increasingly lucid, I redevelop my surroundings and recollect myself, instinctively abandoning what residue is left of my preceding dreamscape. The first naked strokes of light break through and turn on another day. No surprises, nothing to be revealed.
I never fully understood how something like radio worked, but I always thought of it as an outpost of sorts, transmitting sound as directed from a greater source, not associated with any particular voice. With much skepticism, however, I've learned that one, known as the "Angry Radio", is genuinely distinct from all other radios- surely an anomaly of the production-line.

"Everybody knows the thing about an infinite number of monkeys... An infinite number of monkeys is put to work at an infinite number of typewriters and eventually one of them produces a great work of literature. In what language I don't know. But what about an infinite number of writers in an infinite number of cages? Would they make one monkey sound? One genuine chimp noise? Would they eventually swing by their toes from an infinite number of money bars?" (DeLillo)